Trio – “Da Da Da” (12″ Version)

Trio – “Da Da Da” (I Don’t Love You You Don’t Love Me Aha Aha Aha) (12″ Version)…

Artist: Trio
Title: Da Da Da (I Don’t Love You You Don’t Love Me Aha Aha Aha) (12″ Version)
Year: 1982
Label: Mercury Records

Trio – “Da Da Da” (I Don’t Love You You Don’t Love Me Aha Aha Aha) (12″ Version) (mp3)


Tears For Fears – “Change” (Extended Version)…

Artist: Tears For Fears
Title: Change (Extended Version)
Year: 1983
Label: Mercury Records

Tears For Fears – “Change” (Extended Version) (mp3)


Tears For Fears – “Pale Shelter” (Extended Version)…

Artist: Tears For Fears
Title: Pale Shelter (Extended Version)
Year: 1982, 1983
Label: Mercury Records, Phonogram Records

Tears For Fears – “Pale Shelter” (Extended Version) (mp3)


Eurythmics are known mainly for a lot of their mainstream releases but not so much for what was supposed to be their first motion-picture soundtrack release –titled 1984– for a movie also with the same title.  Ok, that was a long sentence.  I’ll simplify my point: Eurythmic’s 1984 was the soundtrack for the 1984 movie which was based on George Orwell’s novel:  1984/Nineteen Eight Four. Phew!

Back in 1984, I bought the LP vinyl & cassette of Eurythmics’ 1984, as well as the 7″ and 12″ singles of Sexcrime.  This entire album is actually my very favorite of any Eurythmics’ release.  It has all the synth-pop, electronic elements with Moroder-esque basslines, drum machine polyrhythms, stuttering vocal samples, layers of synth pads, lush sound engineering & mixing, seas of processed reverb and cutting-edge dark-noir feel to it all (with a touch of pop sparkles on top).  It’s pop and SERIOUS at the same time.  Timeless.  Emotional.  Deep.  All in all, 1984 is different in style & sound from Eurythmics’ previous forte, falling somewhere between Peter Gabriel’s Birdy soundtrack and The Art Of Noise.

Play Eurythmics “1984″ LP/Soundtrack…

Eurythmics 1984 Tracks…

  • Track 01 – I Did It Just The Same  (mp3)
  • Track 02 – Sexcrime (nineteen eighty-four)  (mp3)
  • Track 03 – For The Love Of Big brother  (mp3)
  • Track 04 – Winston’s Diary  (mp3)
  • Track 05 – Greetings From A Dead Man  (mp3)
  • Track 06 – Julia  (mp3)
  • Track 07 – Doubleplusgood  (mp3)
  • Track 08 – Ministry Of Love  (mp3)
  • Track 09 – Room 101  (mp3)
  • Review of ’1984′ by DjProject…

    Review by DjProject…

    When Michael Redford set out to make a film adaptation of George Orwell’s well-known dystopia Nineteen Eighty-Four, Sir Richard Branson (Virgin was producing the film) wanted to have a pop act to contribute to the soundtrack. And so he brought onboard Eurythmics (still signed to RCA at the time). Although only a few of the cues were actually use in the theatrical cut and subsequently for laserdisc and DVD they were all but absent from the film (Eurythmics have become “unpersons” =] ), this is a fine alternative soundtrack to the work, both the novel and the film.

    If Eurythmics were known solely for their pop sensibilities, this album would demonstrate their creative talents. The thing that makes this album stand out is the way it’s able to capture the mood and spirit of the world of Oceania. The sound is very modern and accessible to today but there’s a unsettling trait running through the album that compliments a future run by the principles of Ingsoc. Perhaps the best example in this album is “Greetings from a Dead Man.” The percussion makes it very dance-like yet the organ/synth sounds and Anne Lennox’s vocalizing give it a dark quality. This could very well be the first cyberpunk soundtrack =].

    This is perhaps why Michael Redford disliked it so much. He was much in favor with Dominic Muldowney’s orchestral score. While Muldowney’s score is a good traditional film score and points to Orwell’s inspiration (the music is very “social realist” and would fit well with a socialist/communist band’s repertoire), it does very little to really explore and solidify the dark mood of the film. For an example, “I Did It Just the Same” was used (albeit in a slightly different form on the film) when Winston was recounting his encounter with prole prostitute. The rhythm track, the striptease-like synth bass and the other electronic oddities (Anne’s vocalizations were not on the film cue) help to amplify the sexuality in the scene, a verboten idea in the world of “1984.” Muldowney’s score just doesn’t cut it (pun intended).

    While most Eurythmics fans would consider this a curiosity, I think it helps them to be seen as artists in their own right rather than just a pop group who happened to be at the right place at the right time. As for its failed use in the film, all I can say that I’m sorry that Michael Redford failed to see what this soundtrack could have done for the film.

    Hashmoder's "STABBING BASSLINE" Stamp Of AprovalOH MY GOD were the first words to come out of my mouth immediately when this track started.  And that was back in 1983.  Combination Mix of Get The Balance Right starts right off the bat with a punchy & crunchy bassline, stabbing your face repeatedly with hot & fat analog synth bassline in 16th-note sequencer-steps.  This track is nice and long with minimal (almost dub-instrusmental) passages, balanced in every way: Bassline intro, music build-up, lyrical verses, vocal choruses, instrumental/dub passages, and a driving energy that grooves all the way to the outro/ending.  After all these years, this track still remains not being stupid but forever  SERIOUS!

    Get The Balance Right is ultimate for listening-purposes and dancing your way back to the early New Wave synth-energized 80′s underground dance scene at some geezer’s bass’ment by time-traveling inside a Ford Cortina Mark 5.

    Depeche Mode – “Get The Balance Right” (Combination Mix)…

    Artist: Depeche Mode
    Title: Get The Balance Right (Combination Mix)
    Year: 1983
    Label: Mute Records

    Depeche Mode – “Get The Balance Right” (Combination Mix) (mp3)


    In my 30+ years of collecting music, I completely forgot that I had this track in my arsenal of 12″ records.  I do not even remember buying this record at all.  A few days ago I was going through my record collection, looking for another track …but along the way I came upon this Jeopardy 12″.  Thus I reacted with such enthusiasm as if I’d just discovered/heard the track for the very first time.  Perhaps my elder brother was the one who bought it in 1983, no?  I do not know for sure; I do not recall.  Nonetheless, I love the song.  It has been YEARS since I’ve listened to Jeopardy.  The record was very dirty.  I cleaned it up as much as possible, recorded it straight into Protools and did as much mastering to it as I could.  I utilized Waves’ R-EQ4 equalizers, Waves R-CompressorsLexicon Vintage Plate Reverb and Waves L3 ultra-maximizer software/digital plugins …in order to enhance the sonics and widen the stereo-field of Jeopardy (both sides/versions of the record).  Great, timeless track from 1983 when it was first released.  It reached only #2 spot, just under Michael Jackson’s Thriller single being #1 in the top-10 music charts at that time.

    Greg Kihn Band – “Jeopardy” (Dance Mix)…

    Artist: Greg Kihn Band

    Title: Jeopardy (Dance Mix)

    Year: 1983

    Label: Beserkley Records

    Media Source: Recorded straight from 12-inch record to enhanced digital.

    Greg Kihn Band – “Jeopardy” (Dance Mix) (mp3)


    Greg Kihn Band – “Jeopardy” (Instrumental Dub)…

    Artist: Greg Kihn Band

    Title: Jeopardy (Instrumental Dub)

    Year: 1983

    Label: Beserkley Records

    Media Source: Recorded straight from 12-inch record to enhanced digital.

    Greg Kihn Band – “Jeopardy” (Instrumental Dub) (mp3)


    Music Video: Greg Kihn Band – “Jeopardy”…

    Freeez – “I.O.U.” (I Dub You)…

    Hashmoder's "STABBING BASSLINE" Stamp Of AprovalArtist: Freeez
    Title: I.O.U. (I Dub You)
    Year: 1983
    Genre: Classic Electro Synth Dance
    Comment: Produced and remixed by Arthur Baker (see picture below)
    Media Source: Recorded straight from 12-inch record to enhanced digital.

    Freeez – “I.O.U.” (I Dub You) (mp3)


    Page 1 of 3 123